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<channel>
	<title>Chris Gylee</title>
	<link>https://chrisgylee.com</link>
	<description>Chris Gylee</description>
	<pubDate>Wed, 30 Dec 2020 16:53:23 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://chrisgylee.com/Home</link>

		<pubDate>Wed, 30 Dec 2020 16:53:23 +0000</pubDate>

		<dc:creator>Chris Gylee</dc:creator>

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		<description>CHRIS GYLEEARTIST &#38;amp; WRITERINSTAGRAM&#38;nbsp; /&#38;nbsp;EMAIL&#38;nbsp; /&#38;nbsp; BIOGRAPHY

FEELINGS, ARCHIVED.
2025
	I want to be a soft scudding cloud
I want my life perpendicular, a right angle to the ways we used to be 

All the mistakes determined &#38;amp; forgiven
You said all this to the quiet yard &#38;amp; the old hens brooded

The sky listened &#38;amp; as it listened it turned aubergine grey
The dogs listened with their front paws high on the fence, their stomachs exposed

Often barking thick, heralding together the borderline, they fell quiet for you ...

— Song for Morning-Star Bright-Headed

	Credits
︎ Óscar Bärbosa&#38;nbsp;
︎ Ghost City Press︎ Inari Sandell
︎ Multipöly︎ True Aether︎ Jesper Dolgov&#38;nbsp;
 ︎ Once We Were Islands


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	2024
	I’m out

Digging the patch

Thinking up a new name for you


It’s a serious business

I’m hunting for a colour in the wet earth

It’s gonna change you

Gonna set you free ...
— Come on Cial, Let’s Start a New Life

	Credits︎&#38;nbsp;Vesa Mujonen

︎ Óscar Bärbosa ︎ Johanna Naukkarinen
 ︎ Once We Were Islands


&#60;img width="1400" height="2101" width_o="1400" height_o="2101" data-src="https://freight.cargo.site/t/original/i/663a73e380f0ae16a3b9679dcfe3428a2c74edda31c1507b8ad2e99eccd3acfc/Palace_web1.jpg" data-mid="225703762" border="0"  src="https://freight.cargo.site/w/1000/i/663a73e380f0ae16a3b9679dcfe3428a2c74edda31c1507b8ad2e99eccd3acfc/Palace_web1.jpg" /&#62;
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	2023
	Don’t write a poem&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Forest 
Doesn’t care
It’s pitch out
Dark room stretching
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Old fir 
Touching you up
And it feels good
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Old birch 
Smoking
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; A whole forest 
Fire
That’s how hot
Clamour your lungs
Submit to
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The sea
She’s a master
Like the way
She smacks your 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Waves
Throws you down
Miami vice grip ...

— GANDSEE (i)
	

	Credits
︎ Óscar Bärbosa ︎ TUO TUO
 
 ︎ Once We Were Islands


&#60;img width="1943" height="1095" width_o="1943" height_o="1095" data-src="https://freight.cargo.site/t/original/i/c01281f3198ae43f84e66f1390a765063b128c353307691d51a4b9f518cccff5/WCWN_web1.jpg" data-mid="220582813" border="0"  src="https://freight.cargo.site/w/1000/i/c01281f3198ae43f84e66f1390a765063b128c353307691d51a4b9f518cccff5/WCWN_web1.jpg" /&#62;
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&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/0403a5bbc7b0350b9633a05c5cb8e0dc26c5b741c3b2675ca8f04d2df6433c7c/Heliotrope_web3.jpg" data-mid="220584247" border="0"  src="https://freight.cargo.site/w/1000/i/0403a5bbc7b0350b9633a05c5cb8e0dc26c5b741c3b2675ca8f04d2df6433c7c/Heliotrope_web3.jpg" /&#62;
&#60;img width="2750" height="1790" width_o="2750" height_o="1790" data-src="https://freight.cargo.site/t/original/i/49a557eea504cbdb1535aab11382afc6058fcf6e9f84595bf04ad9e23f05d7c1/Feral_web1.jpg" data-mid="220584676" border="0"  src="https://freight.cargo.site/w/1000/i/49a557eea504cbdb1535aab11382afc6058fcf6e9f84595bf04ad9e23f05d7c1/Feral_web1.jpg" /&#62;



2022
	Luz wants to be in another dreamSame island in another timeWar over, never begunNow a domain of kisses onlyEncircled by seaThe sky heavyOnly women with short names appearing before herMirrors of desireThey’re singingLuz, LuzLuzmaaa!Smiling the uncanny smiles of dream-peopleIn bathrobesSilkLichen and barnaclesJust the light falling down over skin ...
— 1991, Dream as Luz María Umpierre
	Credits
︎ Óscar Bärbosa  
 ︎ Once We Were Islands

&#60;img width="1200" height="1779" width_o="1200" height_o="1779" data-src="https://freight.cargo.site/t/original/i/20bfb29d155b1b569ea0840a759d81bb7ce2c2113bd1589a8ae70dbe971dba20/TheCrossing_web1.jpg" data-mid="164369842" border="0"  src="https://freight.cargo.site/w/1000/i/20bfb29d155b1b569ea0840a759d81bb7ce2c2113bd1589a8ae70dbe971dba20/TheCrossing_web1.jpg" /&#62;
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&#60;img width="1250" height="1304" width_o="1250" height_o="1304" data-src="https://freight.cargo.site/t/original/i/b03878e5face8f47330654655372cd4f0816dbd62266375cb6fedbea2b2adc62/The-Crossing_web4.jpg" data-mid="164369996" border="0"  src="https://freight.cargo.site/w/1000/i/b03878e5face8f47330654655372cd4f0816dbd62266375cb6fedbea2b2adc62/The-Crossing_web4.jpg" /&#62;
&#60;img width="1297" height="737" width_o="1297" height_o="737" data-src="https://freight.cargo.site/t/original/i/b1d25d68f6fbc12d270da96293301e75a8e8621712f3584208a0dfc1bf3e2a67/Homecoming_web4.jpg" data-mid="164373164" border="0"  src="https://freight.cargo.site/w/1000/i/b1d25d68f6fbc12d270da96293301e75a8e8621712f3584208a0dfc1bf3e2a67/Homecoming_web4.jpg" /&#62;
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&#60;img width="1500" height="1483" width_o="1500" height_o="1483" data-src="https://freight.cargo.site/t/original/i/07d9da8ec5962ada126532e018c15c9a4dd6ee53549cd0595c365ac8ab7c1b4d/Homecoming_web5.jpg" data-mid="164373166" border="0"  src="https://freight.cargo.site/w/1000/i/07d9da8ec5962ada126532e018c15c9a4dd6ee53549cd0595c365ac8ab7c1b4d/Homecoming_web5.jpg" /&#62;
&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/cbcc365d76c67c8fa386355dce4a507554d6b8913b3300383fb228803025e4c8/Homecoming_web8.jpg" data-mid="164373214" border="0"  src="https://freight.cargo.site/w/1000/i/cbcc365d76c67c8fa386355dce4a507554d6b8913b3300383fb228803025e4c8/Homecoming_web8.jpg" /&#62;
&#60;img width="1134" height="1587" width_o="1134" height_o="1587" data-src="https://freight.cargo.site/t/original/i/065242f70693e28c01033e2154efe1427666b66daab8d0edbdbc94dcd8c40c87/Homecoming_web10.jpg" data-mid="164373263" border="0"  src="https://freight.cargo.site/w/1000/i/065242f70693e28c01033e2154efe1427666b66daab8d0edbdbc94dcd8c40c87/Homecoming_web10.jpg" /&#62;
&#60;img width="1304" height="822" width_o="1304" height_o="822" data-src="https://freight.cargo.site/t/original/i/0bbdd06fb7f67e68293bc157bbaf4800609baacdc4e720830bbebbbf3fc49b5b/Homecoming_web3.jpg" data-mid="164373161" border="0"  src="https://freight.cargo.site/w/1000/i/0bbdd06fb7f67e68293bc157bbaf4800609baacdc4e720830bbebbbf3fc49b5b/Homecoming_web3.jpg" /&#62;
&#60;img width="2207" height="1558" width_o="2207" height_o="1558" data-src="https://freight.cargo.site/t/original/i/9f344f37691f25d8b220b290fd282caf11ca6d8506386ee0f9d69d69e442b1c3/Homecoming_web9.jpg" data-mid="164373246" border="0"  src="https://freight.cargo.site/w/1000/i/9f344f37691f25d8b220b290fd282caf11ca6d8506386ee0f9d69d69e442b1c3/Homecoming_web9.jpg" /&#62;
&#60;img width="2208" height="1559" width_o="2208" height_o="1559" data-src="https://freight.cargo.site/t/original/i/b65dabcf3f01fbe4d0d3ebcd8be327fdbfc95b006850754c7d68e70f2f0e4746/Homecoming_web11.jpg" data-mid="164373276" border="0"  src="https://freight.cargo.site/w/1000/i/b65dabcf3f01fbe4d0d3ebcd8be327fdbfc95b006850754c7d68e70f2f0e4746/Homecoming_web11.jpg" /&#62;
&#60;img width="1531" height="1049" width_o="1531" height_o="1049" data-src="https://freight.cargo.site/t/original/i/7aa1ba65d37d34b1776783160944e48c5e89648ea643b06dde28fdb4f8d8a1af/Homecoming_web6.jpg" data-mid="164373175" border="0"  src="https://freight.cargo.site/w/1000/i/7aa1ba65d37d34b1776783160944e48c5e89648ea643b06dde28fdb4f8d8a1af/Homecoming_web6.jpg" /&#62;
&#60;img width="1280" height="800" width_o="1280" height_o="800" data-src="https://freight.cargo.site/t/original/i/50d7bffac488a33932d4f608c1c6091cebb2944c0a1b82078cde85b848a5fb18/Homecoming_web2.jpg" data-mid="164373159" border="0"  src="https://freight.cargo.site/w/1000/i/50d7bffac488a33932d4f608c1c6091cebb2944c0a1b82078cde85b848a5fb18/Homecoming_web2.jpg" /&#62;


	20
21
	The artist is covered in a layer of dust. Pale. 
The colour of the cliffs at Dover. She stands in a doorway at the end of the hall, holding a video camera up to her eye. She turns and the camera shifts, capturing the movements of the workmen through the doorway in front of her. There’s dust everywhere. The particles push, ever outwards, until the air within the building is uniformly filled. It circles the lens and the red flashing light. The windows are boarded up. It reminds her of the coffins she used to nail shut in Highgate. The front door is open behind her. A sharp shape of daylight is made visible, like a slice of glass. You could imagine it set on a plinth in a museum. A moment in which the figure of the artist is frozen, her left arm cut off where it extends into the shadows. 
— Pregnancy
	Credits
︎ Óscar Bärbosa  
 ︎ Once We Were Islands 






&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/536d425706e604cbdc828717739dd98555d05f78d683d2ed60b8b73caa291055/KARELIA_3.jpg" data-mid="130126116" border="0"  src="https://freight.cargo.site/w/1000/i/536d425706e604cbdc828717739dd98555d05f78d683d2ed60b8b73caa291055/KARELIA_3.jpg" /&#62;
&#60;img width="1484" height="2086" width_o="1484" height_o="2086" data-src="https://freight.cargo.site/t/original/i/78dd09229e7308631180fda5201215ba5f812419d30f0d9311b6e0ec5bea2687/KARELIA_2.jpg" data-mid="130125346" border="0"  src="https://freight.cargo.site/w/1000/i/78dd09229e7308631180fda5201215ba5f812419d30f0d9311b6e0ec5bea2687/KARELIA_2.jpg" /&#62;
&#60;img width="1535" height="2126" width_o="1535" height_o="2126" data-src="https://freight.cargo.site/t/original/i/520d5c63997567c7887967c75f6fcfea21b0d6ed0c1c4975dd1a5cbd6c836003/KARELIA_1.jpg" data-mid="130125240" border="0"  src="https://freight.cargo.site/w/1000/i/520d5c63997567c7887967c75f6fcfea21b0d6ed0c1c4975dd1a5cbd6c836003/KARELIA_1.jpg" /&#62;
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&#60;img width="2953" height="4203" width_o="2953" height_o="4203" data-src="https://freight.cargo.site/t/original/i/ae73e83a48a486513c50a63c2d1e1652d0c5431512c5f7e5bda528e75985c8a1/KARELIA_-5.jpg" data-mid="130126890" border="0"  src="https://freight.cargo.site/w/1000/i/ae73e83a48a486513c50a63c2d1e1652d0c5431512c5f7e5bda528e75985c8a1/KARELIA_-5.jpg" /&#62;
&#60;img width="1500" height="908" width_o="1500" height_o="908" data-src="https://freight.cargo.site/t/original/i/b6c5036667cb2dd9af5e6abf7d8e6bc3a3d809a3daa415e67f5e872476985388/KARELIA_6.jpg" data-mid="130127879" border="0"  src="https://freight.cargo.site/w/1000/i/b6c5036667cb2dd9af5e6abf7d8e6bc3a3d809a3daa415e67f5e872476985388/KARELIA_6.jpg" /&#62;
&#60;img width="1920" height="1162" width_o="1920" height_o="1162" data-src="https://freight.cargo.site/t/original/i/287ca58c6e4cc52f3c60513faade5eba4938a354adba083bb1b4fbcd8c3f4b5c/KARELIA_8.jpg" data-mid="130128296" border="0"  src="https://freight.cargo.site/w/1000/i/287ca58c6e4cc52f3c60513faade5eba4938a354adba083bb1b4fbcd8c3f4b5c/KARELIA_8.jpg" /&#62;
&#60;img width="1984" height="1163" width_o="1984" height_o="1163" data-src="https://freight.cargo.site/t/original/i/a49afd9b6d1b2d1311153393dde6d73963918ca65f568799b33589109b7243d5/KARELIA_7.jpg" data-mid="130128132" border="0"  src="https://freight.cargo.site/w/1000/i/a49afd9b6d1b2d1311153393dde6d73963918ca65f568799b33589109b7243d5/KARELIA_7.jpg" /&#62;
&#60;img width="1280" height="800" width_o="1280" height_o="800" data-src="https://freight.cargo.site/t/original/i/1f2d2ca3e73ccd9faa754cf8a701276543498511f127c725c8d01332e656fc60/WeComeWithNothing_2.jpg" data-mid="130126422" border="0"  src="https://freight.cargo.site/w/1000/i/1f2d2ca3e73ccd9faa754cf8a701276543498511f127c725c8d01332e656fc60/WeComeWithNothing_2.jpg" /&#62;
&#60;img width="2598" height="2598" width_o="2598" height_o="2598" data-src="https://freight.cargo.site/t/original/i/79d7499a6d81652a2692c9888be5bbb16b26b6091a8f0f9a8e6633240d056787/QueerTongues_2.jpg" data-mid="130127517" border="0"  src="https://freight.cargo.site/w/1000/i/79d7499a6d81652a2692c9888be5bbb16b26b6091a8f0f9a8e6633240d056787/QueerTongues_2.jpg" /&#62;
&#60;img width="2953" height="3307" width_o="2953" height_o="3307" data-src="https://freight.cargo.site/t/original/i/0c7c685f92532c86395fc24aaa80219f513c7b2884269c1cd3d2edb1acbc6084/QueerTongues_1.jpg" data-mid="130127352" border="0"  src="https://freight.cargo.site/w/1000/i/0c7c685f92532c86395fc24aaa80219f513c7b2884269c1cd3d2edb1acbc6084/QueerTongues_1.jpg" /&#62;
&#60;img width="1500" height="978" width_o="1500" height_o="978" data-src="https://freight.cargo.site/t/original/i/19c7c48102b4d909ecdc33c6b7edd08f0ccb3141591ee1c00632cf809fa1193f/WeComeWithNothing_1.jpg" data-mid="130126259" border="0"  src="https://freight.cargo.site/w/1000/i/19c7c48102b4d909ecdc33c6b7edd08f0ccb3141591ee1c00632cf809fa1193f/WeComeWithNothing_1.jpg" /&#62;
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&#60;img width="1304" height="765" width_o="1304" height_o="765" data-src="https://freight.cargo.site/t/original/i/96b2d0b431d7c58823156d748c815b59df40acdb911b451d285712983e5cbf27/12MonthsAYear_1.jpg" data-mid="130125466" border="0"  src="https://freight.cargo.site/w/1000/i/96b2d0b431d7c58823156d748c815b59df40acdb911b451d285712983e5cbf27/12MonthsAYear_1.jpg" /&#62;




	20
20






















There’s always a way to slip past.The people doing this are just people given lists by other people. 
They don’t make the lists 
and they don’t know what they’re looking for.&#38;nbsp; 
They didn’t bother to check pockets or pat us down. 
When they had a full list they left. 
We had to sign 
yes 
to the best of our knowledge 
this was everything, itemised 
and it had all been taken.




— Chapter Two
	Credits
︎ Óscar Bärbosa &#38;nbsp;
 ︎ Once We Were Islands&#38;nbsp;



︎ Kysy Amarante Fischer 
︎ The Watch


&#60;img width="2216" height="3388" width_o="2216" height_o="3388" data-src="https://freight.cargo.site/t/original/i/115117437e086694436480ee3c1f7d3b8cf0b501a95753da854b001085acbc0c/Schminke_Eyes.jpg" data-mid="93557628" border="0"  src="https://freight.cargo.site/w/1000/i/115117437e086694436480ee3c1f7d3b8cf0b501a95753da854b001085acbc0c/Schminke_Eyes.jpg" /&#62;
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&#60;img width="2298" height="3118" width_o="2298" height_o="3118" data-src="https://freight.cargo.site/t/original/i/c65ed5b5efc8d57f40c47811bc363a262a9361ff62a7b2cd757cb7b0ede0377e/NoOtherHands_Web.jpg" data-mid="93559120" border="0"  src="https://freight.cargo.site/w/1000/i/c65ed5b5efc8d57f40c47811bc363a262a9361ff62a7b2cd757cb7b0ede0377e/NoOtherHands_Web.jpg" /&#62;
&#60;img width="2598" height="2598" width_o="2598" height_o="2598" data-src="https://freight.cargo.site/t/original/i/d94637bf3a530520681307724be844d1326a3b3fac8557a6e091d44eedf8a25b/QueerTongues_2web.jpg" data-mid="94295749" border="0"  src="https://freight.cargo.site/w/1000/i/d94637bf3a530520681307724be844d1326a3b3fac8557a6e091d44eedf8a25b/QueerTongues_2web.jpg" /&#62;
&#60;img width="1916" height="2480" width_o="1916" height_o="2480" data-src="https://freight.cargo.site/t/original/i/6a31fecb937179a32ac1464f1b03c8e902037d6dadc5e031cbf29b6eadae7121/Postcards_Web.jpg" data-mid="93602333" border="0"  src="https://freight.cargo.site/w/1000/i/6a31fecb937179a32ac1464f1b03c8e902037d6dadc5e031cbf29b6eadae7121/Postcards_Web.jpg" /&#62;
&#60;img width="1328" height="1881" width_o="1328" height_o="1881" data-src="https://freight.cargo.site/t/original/i/fbd0b6734d69649b6b4bbfe16aff4ee86cf601ed64232c142b981ac69d87a624/Mona_Web.jpg" data-mid="93603226" border="0"  src="https://freight.cargo.site/w/1000/i/fbd0b6734d69649b6b4bbfe16aff4ee86cf601ed64232c142b981ac69d87a624/Mona_Web.jpg" /&#62;



	2019

	It is an honest thing, that you can rotate to inspect, feeling the smoothness of a plane, and then the bite of the underside, the crest as two surfaces meet like a small blade under your thumb and forefinger. Sometimes to say true things is hard work, like preparing food in front of the hot stove, or chopping wood, or carrying coal for the fire. To make a small, hard text, in the form of a very dense, dark crystal, that can be useful to you, that is a tool.
— To Say Difficult Things
	Credits

︎ José Rojas
︎ Dieter Hartwig

︎ Hanna Hegenscheidt

︎ Once We Were Islands︎ Jonas Maria Droste︎ Stephan Walzl︎&#38;nbsp;Alessandro Marzotto Levy︎&#38;nbsp;Robin Junicke






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&#60;img width="1200" height="829" width_o="1200" height_o="829" data-src="https://freight.cargo.site/t/original/i/e4651c6eed175cadc3e3a164d0dcce54af4697a36720ae25cfeff3a09c0916ba/TheseMagnificentBodies_2.jpg" data-mid="94014677" border="0"  src="https://freight.cargo.site/w/1000/i/e4651c6eed175cadc3e3a164d0dcce54af4697a36720ae25cfeff3a09c0916ba/TheseMagnificentBodies_2.jpg" /&#62;
&#60;img width="1594" height="945" width_o="1594" height_o="945" data-src="https://freight.cargo.site/t/original/i/1e17e8e1374af75d39163d7d001c8a699d8677740b114b87d13c79e4be98a4b0/KarmaAccelerator_1.jpg" data-mid="95964302" border="0"  src="https://freight.cargo.site/w/1000/i/1e17e8e1374af75d39163d7d001c8a699d8677740b114b87d13c79e4be98a4b0/KarmaAccelerator_1.jpg" /&#62;


	20
18
	In the darkness 
I tie my boots up 
And walk the perimeter of the ancient city

Fingertips grazing damp cold stone 
I can’t see the place you told me about

There’s just a sports hall with its doors open late 
Light and the smack of rubber on polished floors 
Falling out onto the slick cobbles 
I watch for a while 
Everyone in vests and shorts 
Running in complicated patterns 
Coming together in a huddle 
Arms on arms ... 
— 3. Organic Music Society
	Credits

︎ Claire Vivianne Sobottke

︎ Dieter Hartwig

︎ Once We Were Islands



&#60;img width="2050" height="1350" width_o="2050" height_o="1350" data-src="https://freight.cargo.site/t/original/i/ee6335ed24f097bb6b2ab05f7e0adeba09498ce86aea88a2b584a09e1f035501/SongsOfLoveAndRage_1.jpg" data-mid="94016518" border="0"  src="https://freight.cargo.site/w/1000/i/ee6335ed24f097bb6b2ab05f7e0adeba09498ce86aea88a2b584a09e1f035501/SongsOfLoveAndRage_1.jpg" /&#62;
&#60;img width="2000" height="1999" width_o="2000" height_o="1999" data-src="https://freight.cargo.site/t/original/i/5dda3c98c281adaac57577619e6a17e47b93a30690b64e5f9c846daafeb7bd1e/SongsOfLoveAndRage_3.jpg" data-mid="94017977" border="0"  src="https://freight.cargo.site/w/1000/i/5dda3c98c281adaac57577619e6a17e47b93a30690b64e5f9c846daafeb7bd1e/SongsOfLoveAndRage_3.jpg" /&#62;
&#60;img width="1000" height="1416" width_o="1000" height_o="1416" data-src="https://freight.cargo.site/t/original/i/6e5e072c5c6bb1f8d8aa264b5d73fac3cdd548810b1a5816cc732894e9b78bae/Dedications_1.jpg" data-mid="94018304" border="0"  src="https://freight.cargo.site/w/1000/i/6e5e072c5c6bb1f8d8aa264b5d73fac3cdd548810b1a5816cc732894e9b78bae/Dedications_1.jpg" /&#62;
&#60;img width="1200" height="850" width_o="1200" height_o="850" data-src="https://freight.cargo.site/t/original/i/6d46cd0fbe993f227e4587b916968815bca25a5b1c008edbfcaa4c970e483135/Dedications_2.jpg" data-mid="94019910" border="0"  src="https://freight.cargo.site/w/1000/i/6d46cd0fbe993f227e4587b916968815bca25a5b1c008edbfcaa4c970e483135/Dedications_2.jpg" /&#62;
&#60;img width="1332" height="1984" width_o="1332" height_o="1984" data-src="https://freight.cargo.site/t/original/i/062c758637aa7fc77a6216cba5a0b0f08a665df98bc05084454a046a7af9a4d0/SongsOfLoveAndRage_Web3.jpg" data-mid="94296484" border="0"  src="https://freight.cargo.site/w/1000/i/062c758637aa7fc77a6216cba5a0b0f08a665df98bc05084454a046a7af9a4d0/SongsOfLoveAndRage_Web3.jpg" /&#62;

	20
17
	We are nearing the end.
Descending the escalators at the central station.
At the airport, documents in our sweaty hands.
The bus pulls out.
The truck's wheels start to turn, heaving it on to the ferry.
The underground train, bright yellow, swings on the track.
We are on our way.
We are suspended in the air.
We are moving through the achingly cold waters ...
— Speech for the End of the Show
	Credits︎ Clément Layes/Public In Private
︎ Jonas Maria Droste 

︎ Rachael Clerke

︎ Si Wachsmann︎ Once We Were Islands






&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/41f044a31a27247ccf3cf74d62b08c674e701c5ebc293f5aca55a1fca4ab0323/EternalReturn_1.jpg" data-mid="94261720" border="0"  src="https://freight.cargo.site/w/1000/i/41f044a31a27247ccf3cf74d62b08c674e701c5ebc293f5aca55a1fca4ab0323/EternalReturn_1.jpg" /&#62;
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&#60;img width="498" height="800" width_o="498" height_o="800" data-src="https://freight.cargo.site/t/original/i/605aa0d76fc9330fc2c51dc6bc7421dbfb32f4cc170357b88631ccd11ce60784/WeNeedToTalkAboutBritain_1.jpg" data-mid="94266901" border="0"  src="https://freight.cargo.site/w/498/i/605aa0d76fc9330fc2c51dc6bc7421dbfb32f4cc170357b88631ccd11ce60784/WeNeedToTalkAboutBritain_1.jpg" /&#62;
&#60;img width="850" height="595" width_o="850" height_o="595" data-src="https://freight.cargo.site/t/original/i/b8b80a598dad4de15544f7b282e673cc400369a5c23f52f2ab5af97d88adb2b0/WeNeedToTalkAboutBritain_2.jpg" data-mid="94267350" border="0"  src="https://freight.cargo.site/w/850/i/b8b80a598dad4de15544f7b282e673cc400369a5c23f52f2ab5af97d88adb2b0/WeNeedToTalkAboutBritain_2.jpg" /&#62;
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&#60;img width="820" height="553" width_o="820" height_o="553" data-src="https://freight.cargo.site/t/original/i/a69f2fdd4c12dbbec66603c378c78739d358ce8c1b438fb230d96f582fc6632f/WeNeedToTalkAboutBritain_3web.jpg" data-mid="94273313" border="0"  src="https://freight.cargo.site/w/820/i/a69f2fdd4c12dbbec66603c378c78739d358ce8c1b438fb230d96f582fc6632f/WeNeedToTalkAboutBritain_3web.jpg" /&#62;
&#60;img width="800" height="510" width_o="800" height_o="510" data-src="https://freight.cargo.site/t/original/i/c7c182ab6de9696d0a3ac6437c2412f05deb85b875f9add02d7207aca1a0052a/WrestlingFilm_web.jpg" data-mid="94288205" border="0"  src="https://freight.cargo.site/w/800/i/c7c182ab6de9696d0a3ac6437c2412f05deb85b875f9add02d7207aca1a0052a/WrestlingFilm_web.jpg" /&#62;




	20
16
	The water is cut off. Pipes stop, interrupted, a small tap extends at thigh-height out over the floor. There is no fluorescent lighting in the space, instead a single dim 60w lightbulb, casting gloomy shadows. The surface of the ceiling is uneven, bisected North to South by pencil-wide panel lines, and East to West by a rough, thicker band, as though the cement has been patched at this point, or has seeped through during construction and solidified. There are multiple, circular penetrations into the ceiling, of varying sizes. Twelve. Beneath the concrete ceiling layer is a less planned and solidly manifest surface: an extensive network of spider-webs. From just under ceiling height to a foot below, they suspend across the majority of the West-facing wall, and to a lesser extent the SE corner, creating an almost-invisible height restriction; an organic partition installed by the most regular inhabitants ... 
— Surfaces
	Credits︎ Félix Vève
︎ Anna Nowicka &#38;nbsp;

︎ Benedikt Wyss / Demian Wohler ︎&#38;nbsp;Nic Gysin&#38;nbsp;

︎ Laura McAtackney︎ Once We Were Islands

&#60;img width="1000" height="1182" width_o="1000" height_o="1182" data-src="https://freight.cargo.site/t/original/i/501f142698ca644cafa3f01455fbc218537276fd02da4677c4bf2ea9decd88dc/MBody2_Web.jpg" data-mid="95918608" border="0"  src="https://freight.cargo.site/w/1000/i/501f142698ca644cafa3f01455fbc218537276fd02da4677c4bf2ea9decd88dc/MBody2_Web.jpg" /&#62;
&#60;img width="1635" height="1172" width_o="1635" height_o="1172" data-src="https://freight.cargo.site/t/original/i/fc3535afdda79ae8d1b29469c09c82aae330fc6a5410890c3f75f3ed5b2c4911/MBody1_Web.jpg" data-mid="95917634" border="0"  src="https://freight.cargo.site/w/1000/i/fc3535afdda79ae8d1b29469c09c82aae330fc6a5410890c3f75f3ed5b2c4911/MBody1_Web.jpg" /&#62;
&#60;img width="825" height="574" width_o="825" height_o="574" data-src="https://freight.cargo.site/t/original/i/4b70143391d541170637333d79266a0374c93710e31b137b8fa80ba3f2d3ac7f/Watch_web1-copy.jpg" data-mid="95958208" border="0"  src="https://freight.cargo.site/w/825/i/4b70143391d541170637333d79266a0374c93710e31b137b8fa80ba3f2d3ac7f/Watch_web1-copy.jpg" /&#62;
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&#60;img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/538a509d0b3ab6826999942b0cf69951832c780c3737e1e4d2d205b8f174cd0b/Haus99-158_web.jpg" data-mid="95959142" border="0"  src="https://freight.cargo.site/w/800/i/538a509d0b3ab6826999942b0cf69951832c780c3737e1e4d2d205b8f174cd0b/Haus99-158_web.jpg" /&#62;
&#60;img width="827" height="591" width_o="827" height_o="591" data-src="https://freight.cargo.site/t/original/i/442af5fa104f786d21bdb880c8af0f4da078ccccbbdd6dab6ad171911a658367/Haus99_3.jpg" data-mid="95963067" border="0"  src="https://freight.cargo.site/w/827/i/442af5fa104f786d21bdb880c8af0f4da078ccccbbdd6dab6ad171911a658367/Haus99_3.jpg" /&#62;
&#60;img width="817" height="569" width_o="817" height_o="569" data-src="https://freight.cargo.site/t/original/i/8befe36c9afec2ff5f16a789a19f2635e4bb48ff1cf6aee920a18d8028679760/Haus99_2.jpg" data-mid="95962135" border="0"  src="https://freight.cargo.site/w/817/i/8befe36c9afec2ff5f16a789a19f2635e4bb48ff1cf6aee920a18d8028679760/Haus99_2.jpg" /&#62;
&#60;img width="666" height="481" width_o="666" height_o="481" data-src="https://freight.cargo.site/t/original/i/e10846246c4637f6ba7c8f499ba78c173843de634284af4b888d810c23337174/FiveDancers2.jpg" data-mid="95967007" border="0"  src="https://freight.cargo.site/w/666/i/e10846246c4637f6ba7c8f499ba78c173843de634284af4b888d810c23337174/FiveDancers2.jpg" /&#62;
&#60;img width="1224" height="600" width_o="1224" height_o="600" data-src="https://freight.cargo.site/t/original/i/058b3b880e66d711590a144121b68fa73beb5750644a868054072c77d4c0053a/FiveDancers1.jpg" data-mid="95966289" border="0"  src="https://freight.cargo.site/w/1000/i/058b3b880e66d711590a144121b68fa73beb5750644a868054072c77d4c0053a/FiveDancers1.jpg" /&#62;
&#60;img width="1417" height="1134" width_o="1417" height_o="1134" data-src="https://freight.cargo.site/t/original/i/8f0715f6480119618f976b8771c7b119589aae448c52851facf8d01e3e333983/FiveDancers3.jpg" data-mid="95968500" border="0"  src="https://freight.cargo.site/w/1000/i/8f0715f6480119618f976b8771c7b119589aae448c52851facf8d01e3e333983/FiveDancers3.jpg" /&#62;


	20
15
	We will sleep under the sky from now on —the grass beneath us is coldand a sycamore towers overhead in the dimming lighttransforming inch by inchinto the blackest void of nightdarker than the surrounding heavensthat grey and dimbut won’t ever catch the tree.It is a dense black I could step intoa doorway into the night.We’re low people now.Bodies closer to the earth than they have ever been ...— Columbia 1

	Credits︎ Once We Were Islands
︎ Renata Chuiere
︎ Emily Lim︎ Dan Barnard, Rachael Briscoe︎ Paul Blakemore



&#60;img width="1228" height="866" width_o="1228" height_o="866" data-src="https://freight.cargo.site/t/original/i/e9c09656d6b920ae292e31b05b6973b5b354edd353d75cf96f76b14780b5bd13/ABCDEF_3.jpg" data-mid="106063555" border="0"  src="https://freight.cargo.site/w/1000/i/e9c09656d6b920ae292e31b05b6973b5b354edd353d75cf96f76b14780b5bd13/ABCDEF_3.jpg" /&#62;
&#60;img width="1247" height="850" width_o="1247" height_o="850" data-src="https://freight.cargo.site/t/original/i/ab888a5860e019d7ffc4da5eec499c8061a06bbbf616f9d8e025d3510b83b2a9/ABCDEF_1.jpg" data-mid="106062882" border="0"  src="https://freight.cargo.site/w/1000/i/ab888a5860e019d7ffc4da5eec499c8061a06bbbf616f9d8e025d3510b83b2a9/ABCDEF_1.jpg" /&#62;
&#60;img width="1247" height="907" width_o="1247" height_o="907" data-src="https://freight.cargo.site/t/original/i/f3b492612f689780509d61bca565c11887a2481f1d94ee4bb1267849527f0899/ABCDEF_2.jpg" data-mid="106063019" border="0"  src="https://freight.cargo.site/w/1000/i/f3b492612f689780509d61bca565c11887a2481f1d94ee4bb1267849527f0899/ABCDEF_2.jpg" /&#62;
&#60;img width="1000" height="670" width_o="1000" height_o="670" data-src="https://freight.cargo.site/t/original/i/4735507fb4bc17a709f6095e5fb1150e8a9d9a4e2671d7715fec90d176c5cce5/Cheese_PQ_1.jpg" data-mid="106064225" border="0"  src="https://freight.cargo.site/w/1000/i/4735507fb4bc17a709f6095e5fb1150e8a9d9a4e2671d7715fec90d176c5cce5/Cheese_PQ_1.jpg" /&#62;
&#60;img width="1500" height="1152" width_o="1500" height_o="1152" data-src="https://freight.cargo.site/t/original/i/19df67cc87aacebebd400bdb9e1a13dedc9896f3bf8d13192a1b1b0ca8cc8df9/Cheese_PQ_2.jpg" data-mid="106064473" border="0"  src="https://freight.cargo.site/w/1000/i/19df67cc87aacebebd400bdb9e1a13dedc9896f3bf8d13192a1b1b0ca8cc8df9/Cheese_PQ_2.jpg" /&#62;
&#60;img width="1500" height="915" width_o="1500" height_o="915" data-src="https://freight.cargo.site/t/original/i/fac2042f299c675b58b01759bb757ef9a24b7d6c73e20c1facb35a8b13b8c970/Play_1.jpg" data-mid="106065988" border="0"  src="https://freight.cargo.site/w/1000/i/fac2042f299c675b58b01759bb757ef9a24b7d6c73e20c1facb35a8b13b8c970/Play_1.jpg" /&#62;



	20
14
	Play it again, you say.&#38;nbsp;
I swipe back
Paper-cut bodies appear, repeated&#38;nbsp;
Men’s bodies glistening with sweat
Heads replaced with animals
Fish
Zebras
Flamingos
It snows
Their bodies submerged under blobs of white, swamping the screen
It’s good, you say&#38;nbsp;
Make some cuts
What you did the other day 
With the blank squares over the eyes, and the rectangular mouths. 
I loved that. Don’t lose it ...— Expensive Shit
	Credits︎&#38;nbsp;Emily Lim︎ Mark Douet ︎ Richard Davenport︎&#38;nbsp;Tom Bailey︎ Paul Blakemore
︎ Jennifer Bell 




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Chris Gylee (1983, Stockport UK) read Drama &#38;amp; Theatre at Royal Holloway University and completed his post-graduate training in Theatre Design at the Bristol Old Vic Theatre School in 2006. He has been based in Berlin since 2014, and rural Finland since 2023. Alongside his solo practice Chris also regularly makes performance, installation, film and publications together with R. Aslan and collaborators as ONCE WE WERE ISLANDS. Full biography and credits available here.


INSTAGRAM&#38;nbsp; / &#38;nbsp;EMAIL&#38;nbsp; /&#38;nbsp; BIOGRAPHY&#38;nbsp; /&#38;nbsp; IMPRESSUM</description>
		
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